with every gust of wind,
the butterfly changes its place
on the willow
rusty orange wings dancing
among the weeping branches
midfield,
attached to nothing,
the skylark singing suspended in fluid song
radiating through its wings
the dragonfly
can’t quite land
on that blade of grass
its glassy wings move too fast
a fragile whirlwind of glints
Matsuo Basho Kim M. Russell, 15th August 2018

My response to Carpe Diem Renga with Basho #6 bush clover and the moon
The goal of ‘Renga With Basho’ is to create a renga by writing two-line stanzas between his haiku, using three or more of the six given haiku in an order of our choice, with the first haiku (hokku) and the last stanza (ageku) connected through association, thus closing the chain. The six haiku are:
cedar umbrellas, off
to Mount Yoshimo for
the cherry blossoms
midfield,
attached to nothing,
the skylark singing
staying at an inn
where prostitutes are also sleeping —
bush clover and the moon
when the winter chrysanthemums go,
there’s nothing to write about
but radishes
with every gust of wind,
the butterfly changes its place
on the willow
the dragonfly
can’t quite land
on that blade of grass
(C) Matsuo Basho (Tr. Robert Hass)
This flows so naturally, I thought it was all you. Wonderful
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Thank you V.J.
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Beautifully done! I love the combination of Haiku’s you used Kim! Kim, I was not around for the first edition of Troiku Kukai. I noticed it’s open for 30 days. Are we suppose to write a Troiku each day for 30 days, and if so, is he going to provide a new Haiku each day? Thank you Kim! ❤
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Hi Deborah! The Kukai is a competition in which we write haiku, tanka or troiku, and have (in this case) until 15th September to email them to Kristjaan. He will then display them all anonymously on his webpage and ask us to vote for our three favourites, giving points for first, second and third choices. The winner usually gets their own e-book posted on Carpe Diem. Have a look at the Carpe Diem’s Kukai tab at the top of the home page, which shows the whole of the first Kukai. I hope that’s helpful, Deborah. 🙂
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Another Superb series of Awesomeness! (@–>–)
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Thank you, Dorna!
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You made a nice renga with Basho’s haiku Kim. By the way thank you for explaining the goal of the Troiku Kukai to Deborah.
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these renga are wonderful Kim. I really have enjoyed them completely. And for the first time, I think I finally “understand” how this challenge works … to create and complete the chain. (due to your choices by Basho and then the renga) … and they compliment each other so well, this is like reading this small, small story – that is delicious for the poetic tongue and spirit. (hmm… “flash” Japanese poetic forms? LOL 😉 )
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Thank you, Pat. Challenges like this are useful poetic exercises, fun focuses for the imagination, and springboards into bigger and more complex poetry. I often go back to my collection of ‘flash’ poems for inspiration. 😊
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I can see all of this happening, all in one scene.
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