We met at the old Prater Ferris wheel on a chilly September afternoon. The aroma of Vienna sausage and the fairground music drifting on the wind were tinged with melancholy. We watched families and young couples fill the wooden cabins before wandering off to a café, where he ordered us both a hot chocolate with whipped cream. He took a sip and, as he looked up with a sad smile, I noticed a dot of cream on his nose. I took my old camera out of my pocket and took a photograph, then passed him a handkerchief.
I’d known it was bad news when he asked me to meet him at a place full of memories. One day, I’ll think of him and I’ll bury my soul in a scrapbook, with the photographs there, and the moss that has since grown on his grave.
Kim M. Russell, 12th August 2024

Image by Marie Rouilly on Unsplash
It’s Monday and I’m hosting Prosery at the dVerse Poets Pub, where we are writing Prosery, the very short piece of prose or flash fiction that tells a story with a beginning, middle and end. It can be in any genre, but it does have a limit of 144 words and must include a complete line or two from a poem I have chosen.
I have taken the two lines from a poem by Leonard Cohen, called ‘Take this Waltz’, which he put to music. One of the things I liked about this poem is that it was ‘after Lorca’, which sent me on a search for the poem that inspired Cohen, ‘Little Viennese Waltz’. The lines I chose are:
“And I’ll bury my soul in a scrapbook,
with the photographs there and the moss.”
A melancholy mood here….and then a sad ending. You’ve led up to the line so well.
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Thank you, Lill!
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I’m not sure if it is a blessing or a curse that these beautiful moments are captured by us in such detail and am not sure there is an answer. Good imagery and feelings evoked here, Kim.
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Thanks so much, Lisa!
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You’re welcome.
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There’s such melancholy in this. Vienna seems to require melancholy, as if it’s always autumn. Lovely writing, Kim.
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Thank you, Jane.
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xx
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Nice one. Luv the generated image too
much 🤍love
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Thank you, Gillena, Much love to you!
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Certainly the scrapbook and the moss create the mood of time passing. I love the way you give detail to that moment in time. This really builds up the loss and the impact. Am rather new to flash fiction but was intrigued by your prompt and the links between Cohen and Lorca.
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Thank you very much for reading and commenting. I’m pleased you were intrigued by the prompt. I’m looking for links to other poets in Cohen’s work.
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Indeed, the waltz is very close to Lorca and dare I say some lines improved or yes, maybe less edgy. But of course it lends itself to that moody waltz and dueting.
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I agree,
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Even though sad, it is life, and you have, like others have said, led up to that last sentence well. I enjoyed reading it; it was very thoughtfully written.
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This is a fabulous challenge, Kim, and I thank you for issuing it. Love Cohen and didn’t know Lorca. An homage on Cohen’s part to include so much of Lorca’s poem.
Now, onto your beautiful prose full of melancholy and a sense of loss felt deeply.
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I’m so happy you like the prompt, Dale, and that you discovered Lorca. Thank you so much for your kind comment.
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Thank you! And you’re welcome.
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Wonderful use of the prompt lines, Kim. You made them flow right into the story.
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Thank you kindly, Dwight.
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You are welcome.
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Beautifully encased by the last paragraph.
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Thank you, Carol!
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I enjoyed this melancholic tale, Kim. 🙂
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Thank you very much, Kitty¬
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I love how you used the prompt lines, Kim!
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Thanks Nolcha!
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Despite being “tinged with melancholy”, I think you painted a wonderful scene at the pier, but it took a turn at the bad news.💔
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Thank you, Melissa!
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Such a bittersweet development for a sorrowful denoument. Beautifully evoked, Kim!
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Thank you, Frank!
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For me the strength of this piece is in what is not said explicitly, and that would be true of the photograph too – fixing a moment which only has context in retrospect – great prompt Kim…
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Thank you so much, Andrew!
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I so love your economy of detail that draws me right in and enjoying joining the dots, a sad tale, but yet a wonderful tale.
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Thanks so much, Paul.
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