It is the last of the wild places,
drifts at the windy corners,
a low, far-reaching expanse.
The night was so transparent:
mud flats and tidal pools;
clumps of bushes made black stains;
of human inhabitants there are none.
Two black Norway spruces,
desolate, utterly lonely
where the road fell away.
Greys and blues and soft greens,
fresh furrows in the track.
Skies are dark in the long winters –
the night was perfectly still.
Kim M. Russell, 9th February 2023

Image by Nils Leonhardt on Unsplash
This Thursday, Laura is back to host Meeting the Bar at the dVerse Poets Pub, where we are patchworking some prose. She says that ‘patchworking or pieceworking is redolent of hard times when women joined pieces of cloth together for clothing or quilts or rugs’. I love the poetic examples she has given us, from Abigail Parry’s ‘The Quilt’, ‘Stencilled Memories’ by Lorna Dee Cervantes, and Thom Gunn’s ‘Patch Work’.
The challenge is to sew together pieces of prose to make a poem as follows. We must:
• Choose TWO books of prose
• Pick ONE page from each
• Extract SHORT LINES from each page
• ALTERNATE them to make a poem
• Use italics and plain font to differentiate the text sources
• Use one of the source lines or a combination as TITLE
We must NOT add anything of our own to the lines. However, we may use enjambment and we can split the poem into stanzas. We must cite our sources with author, book title and page number.
Sources:
The Snow Goose by Paul Gallico page 7 (Penguin edition)
Ethan Frome by Edith Wharton page 43 (Wordsworth Classics edition)
So wonderful and seamless, and what a scene you painted with all the beauty of winter bleakness.
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Thank you, Björn. It took me ages to choose the books and the pages but once done I really enjoyed this challenging prompt.
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your previous patchwork sewing came in handy Kim – this is beautifully and invisibly joined in all the stanzas and I like the 3/4 patterning too
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Thank you, Laura. I really enjoyed the prompt.
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This is absolutely stunning, Kim! 😍 I especially admire; “Greys and blues and soft greens, fresh furrows in the track.” Lovely patchworking here!
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Thank you Sanaa! 🙂
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As well as the luscious language, borrowed with such skill, I love the way that the past and present tense alternate – giving a sense of timelessness – or time travel – in the landscape as it unfolds to view. Wonderful image too!
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Thank you Kathy!
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This works so well!!!!
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Thank you!
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Wow!!! Nice one Kim.
Much💖love
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Thanks Gillena! ❤
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Beautiful, peaceful, and pastoral that induces calm. I love how you put this in the center of the poem as if for reinforcement: “of human inhabitants there are none.” Such a nice poem, Kim.
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Thank you, Lisa. I chose the right books and found a landscape I know well.
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You’re welcome, Kim.
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What a lovely piece of writing that evokes a serene, natural sense of nature at its height of timelessness! ❤
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Thanks so much Layla!
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You have pieced together a vivid landscape–well done. (K)
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Thank you Kerfe!
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I really like the details of those soft colors as fresh furrows in the tracks. What an intriguing piece this is! 💓
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Thank you kindly, Tricia!
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💓
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This is a lovely piece, Kim. 🙂
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Thanks so much, Kitty!
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You are welcome, Kim. 🙂
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The last, sanctuary, where, nature is, weighed, more heavily than, the urbanization, and progressions, where the, wildest things, live…
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I’m lucky to live in such a place.
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So PEACEFUL, a piece of heaven!
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Thanks Jay!
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