My response to dVerse Poets Pub Chisel me a conversation
When Michelangelo
First touched his chisel to my skin
My invisible fingers gripped it from within,
In a struggle to be released
From this marble prison.
Sculpting myself through his hands,
I freed my legs until I could stand,
Muscles in thighs and calves tensed to run.
I raised my torso,
Then an arm,
Poised to punch away the stone…
And here I am,
Suspended,
Overshadowed
By the one that got away.
© Kim M. Russell, 2016

I took this photograph at the Accademia when we were in Florence, a few days before my daughter’s wedding. My husband’s family had never seen Michelangelo’s David and my brother-in-law was surprised to see the four prisoners in the hall that leads to David, so I explained to him why they are ‘incomplete’.

Image from www.accademia.org
I also want to know that why the four prisoners incomplete? Please give me your answer here.
~Diana
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The best explanation can be found on the Accademia website: http://www.accademia.org/explore-museum/artworks/michelangelos-prisoners-slaves/
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I actually love those non completed sculptures more… so much more.
Love it.
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Me, too, Bjorn. I was just thinking that. And I love your piece, Kim. Especially the subtle rhyme sculpted within.
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Thank you, De.
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could feel the inner struggle and gasps of breath to come out…
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Such magnificent work! I love how your poem expresses the feelings of the marble “beings.”
I was at the Accademia briefly years ago when I was on a school Latin club Italy trip with my daughter.
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I’m delighted you like it!
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🙂
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For we are all incomplete! Truly magnificent!
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You’re too kind!
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🙂
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The pains of birthing — the pains of becoming —
and then the ending gives voice to all of these sculptures in juxtaposition. So very very well done!
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Thank you kindly, Lillian 🙂
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So intriguing indeed Kim. I love the idea of being incomplete, suspended and overshadowed.
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I’ve visited the Accadenia in Florence twice and both times, even though the statue of David is obviously very special, while everyone else oohed and aahed about it, I was drawn to the four prisoners.
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